I’ve been wanting to do HAVOC for quite some time, and I’ve finally gotten my chance to do something about it. HAVOC part 1: Havoc part 1: What Your Dreams are Made of received much attention for being what it is. Either way, Studio Artist 4 has been the biggest part of the project and will continue to be one of the primary painting tools I’ll be using for my other projects.
#ARTMATIC VOYAGER MAC MAC#
I’ve been looking at Studio Artist since version 1.5 when it was first introduced to the Japanese Mac community via Macworld Japan (or something like that.) Either way, since then, I’ve always wanted the program personally. Take a look at the article here: Studio Artist News: Matteland and The Door to Tomorrow”. He ended up writing stuff about the whole thing. John Dalton, the creator of Studio Artist 4 saw some potential in the senior thesis I’m headed to do. Since this project began there has been several reactions one in particular was unexpected. So that’s ultimately been tested out here. I’ve recently began planning my thesis project, where I do want some characters interacting in the environment. Overall, I painted 5 backgrounds which 3 of them were used to create simple 3D meshes for projection purposes. It takes a bit long, since I did go about developing some techniques I never tried before, but ultimately it doesn’t look bad. This involved manipulating photographs using Photoshop to painting them in Studio Artist 4. While the 3D part wasn’t THAT hard, what took longer was the 2D painting. Matteland project has been a big feature, even if I took the effort almost like my side-job (HAVOC was a bigger thing for me.) Either way the goal of Matteland was to bring a surreal 3D experience in 2D paintings, especially as an background for animated films. Here’s the resulting texture of the wood we’re making. I didn’t include specific numbers because I think you… can really just find out those numbers yourself. 🙂Īnother Important Note: This is a very very simple tutorial. So it’s really not just for Filter Forge users. It kinda takes skill but you can essentially do almost the same thing in programs like Adobe Photoshop with a little bit of creativity and understanding. Though let me tell you one thing: you don’t always need Filter Forge to do this tutorial. In this case I’ll be using it to make the wood texture I’m talking about. Important note: Now I’m going to be using a program called Filter Forge 3, this is a fantastic piece of node-based fiter/generator creation program you can use to make all sorts of stuff. You may go on Google and search up some imagery, you can always go to some texture resource website and dig some textures up.
#ARTMATIC VOYAGER MAC PROFESSIONAL#
Whether you are a student or a professional or a hobbyist, you just always run into a need or want for that wood texture. Somehow if you’re a 3D artist, you always end up looking for wood textures.
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